Films you found to be not as good as the hype...
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gasteropod
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Shingster
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I saw Face/Off in the cinema and once when it came out on DVD and not seen it since. I always considered it to have an intensely stupid script but fun action and performances. Hard Target I watched when it first came out during a period when I was quite the fan of JCVD and I absolutely hated it. I rewatched it again years later as an adult and enjoyed it a lot more. I wonder if I would find Face/Off quite so enjoyable nowadays though!
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romerojpg
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gasteropod
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HungFist
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Heh, I just wanted to see your reply.bradavon wrote:You should know by now, you're the geek not IHungFist wrote:Not even for Castellari's cameo?. I've not got a scooby doo who he is, some "Bruce Campbell fanboy's cult wet dream" I'm guessing.
Enzo G Castellari is the director of the original Inglorious Bastards. And many other great films like The New Barbarians.
Yes, finally some love.Markgway wrote: Yes. Absolutely correct.
And Total Recall rocks too!
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Yi-Long
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Didn't care much for Total Recall either. I liked the story and the premise, but I didnt like the casting nor the directing. It looked cheap, amateuristic, and I felt it could have been done much more mature and better.
The story is good, the excecution isn't.
The story is good, the excecution isn't.
I was there, the big BNB blackout of november, 2008. We lost many that day...
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bradavon
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I knowHungFist wrote:Heh, I just wanted to see your reply.
Agreed. Very amateurish.Yi-Long wrote:Didn't care much for Total Recall either. I liked the story and the premise, but I didnt like the casting nor the directing. It looked cheap, amateuristic, and I felt it could have been done much more mature and better.
The story is good, the excecution isn't.
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romerojpg
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Yi-Long
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romerojpg
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bradavon
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romerojpg
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HungFist
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bradavon
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EvaUnit02
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Full Metal Jacket - 3.75/5:
Fantastic first half during the boot camp, weak second half when they get to Vietnam. It didn't feel like any Vietnam that I've seen in other films before. It did look like the abandoned industrial sector of a Western city (South London was where it was shot, I think. Fucking Kubrick should've gone to Thailand like everyone else.).
Inland Empire - 2/5:
It was quite shit, TBH. I didn't enjoy it much at all, unlike Mulholland Dr, Blue Velvet and Wild at Heart - which are all excellent. Weird for sake of being weird.
Oh and I've heard the "trapped in a nightmare" argument before, I was just too bored out my skull watching this unfun long arse film to care.
The Hills Have Eyes (Craven original): 1/5
It's very shit, why does this film have a following? It's like it wants to be Texas Chainsaw Massacre but comes across as too campy with the bad make-up and over-the-top performances. Craven should've hired Tom Savini.
TCM has this utterly gritty documentary feel and a sense of tension that lingers throughout the film. Eg the scene where they find all of the slaughter house equipment, very eerie. The Hitchhiker at scene the start is totally unsettling and shocking, brilliant stuff. The 2003 remake on the hand is utterly soulless and feels like it was made in a factory, you guys are off your rocker for liking it, TBH.
I don't know what happened to Tobe Hopper, did he have a lobotomy after making this film or something? Poltergeist feels too much like Spielberg film and nothing like Hopper's style. Now Poltergeist is really overrated too.
More laughably cheesy rather than scary.
I saw Lifeforce a few months back on the MGM Channel, that was a lot of stupid fun, the plot was utterly ludicrous, but so much fun.
Seeing Patrick Stewart acting mental and making out with Steve Railsback is golden stuff. Oh and fuck, Matilda May was utterly smoking hot, spending most of the film totally naked.
Gremlins: 3.5/5
I liked the self-aware sequel that takes the piss out of its self a lot more than the original, TBH.
But oh man, was Phoebe Cates was really hot back then.
Rocky - 3/5
Utterly criminal how Taxi Driver lost to this film. It's utterly sentimental tripe, but it has this emotional honesty that stops me from hating it; although that's more likely just down to low budget and raw, deeply personal, documentary style that most of the great American films had in that era.
The direction and Stallone's tender, passionate performance saved it from the written tripe, now that I think about it.
The sequels are pretty shit on paper, but impossible to hate for entirely different reasons than Rocky I (Except Rocky V, which is just total shit.). Eg Rocky IV is pretty much Rambo II in a boxing ring and it is fucking awesome.
Fantastic first half during the boot camp, weak second half when they get to Vietnam. It didn't feel like any Vietnam that I've seen in other films before. It did look like the abandoned industrial sector of a Western city (South London was where it was shot, I think. Fucking Kubrick should've gone to Thailand like everyone else.).
Inland Empire - 2/5:
It was quite shit, TBH. I didn't enjoy it much at all, unlike Mulholland Dr, Blue Velvet and Wild at Heart - which are all excellent. Weird for sake of being weird.
Oh and I've heard the "trapped in a nightmare" argument before, I was just too bored out my skull watching this unfun long arse film to care.
The Hills Have Eyes (Craven original): 1/5
It's very shit, why does this film have a following? It's like it wants to be Texas Chainsaw Massacre but comes across as too campy with the bad make-up and over-the-top performances. Craven should've hired Tom Savini.
TCM has this utterly gritty documentary feel and a sense of tension that lingers throughout the film. Eg the scene where they find all of the slaughter house equipment, very eerie. The Hitchhiker at scene the start is totally unsettling and shocking, brilliant stuff. The 2003 remake on the hand is utterly soulless and feels like it was made in a factory, you guys are off your rocker for liking it, TBH.
I don't know what happened to Tobe Hopper, did he have a lobotomy after making this film or something? Poltergeist feels too much like Spielberg film and nothing like Hopper's style. Now Poltergeist is really overrated too.
More laughably cheesy rather than scary.
I saw Lifeforce a few months back on the MGM Channel, that was a lot of stupid fun, the plot was utterly ludicrous, but so much fun.
Seeing Patrick Stewart acting mental and making out with Steve Railsback is golden stuff. Oh and fuck, Matilda May was utterly smoking hot, spending most of the film totally naked.
Gremlins: 3.5/5
I liked the self-aware sequel that takes the piss out of its self a lot more than the original, TBH.
But oh man, was Phoebe Cates was really hot back then.
Rocky - 3/5
Utterly criminal how Taxi Driver lost to this film. It's utterly sentimental tripe, but it has this emotional honesty that stops me from hating it; although that's more likely just down to low budget and raw, deeply personal, documentary style that most of the great American films had in that era.
The direction and Stallone's tender, passionate performance saved it from the written tripe, now that I think about it.
The sequels are pretty shit on paper, but impossible to hate for entirely different reasons than Rocky I (Except Rocky V, which is just total shit.). Eg Rocky IV is pretty much Rambo II in a boxing ring and it is fucking awesome.
Last edited by EvaUnit02 on 10 Apr 2009, 05:35, edited 6 times in total.
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bradavon
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EvaUnit02
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My own personal excitement, being a big fan of Lynch. I went in with very high expectations.bradavon wrote:Was Inland Empire ever hyped? It was loathed by all. I've not yet checked out my DVD.
Fanboys also blindly love it. I'm not one of them because I'd happily admit to not liking/enjoying something.
Last edited by EvaUnit02 on 09 Apr 2009, 17:58, edited 2 times in total.
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bradavon
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luckystars
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gasteropod
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Roger Ebert gave it 4/4: http://rogerebert.suntimes.com/apps/pbc ... 50301/1023bradavon wrote:Was Inland Empire ever hyped? It was loathed by all. I've not yet checked out my DVD.
I personally like the film, it was one of my best cinema experiences ever, and on subsequent DVD viewings I still think it's very good.
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luckystars
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saltysam
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saltysam
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bradavon
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Forrest Gump is great IMO, very good film. A Beautiful Mind is also good but not much re-watch value.
Ransom, Apollo 13, Cocoon and Splash are also good but IMO Forrest Gump is his only great film. I've not seen Missing though. Howard does that annoying thing Speilberg does and thinks sentimentality is a clever thing to put in movies.
Ransom, Apollo 13, Cocoon and Splash are also good but IMO Forrest Gump is his only great film. I've not seen Missing though. Howard does that annoying thing Speilberg does and thinks sentimentality is a clever thing to put in movies.
