I'm Flash (Toshiaki Toyoda, 2012)

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HungFist
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I'm Flash (Toshiaki Toyoda, 2012)

Post by HungFist »

Though Monsters Club was a bit of a mixed bag, this new film sounds awesome

"Toyoda Toshiaki's "I'm Flash" very cool. If you fell in love with modern J-cinema in 90s/early 2000s you'll die. Early Kitano + Toyoda magic. It's got some killer slow-motion/rock music scenes like Blue Spring did. Okinawa, Sonatine-style but more epic."
- Jason Gray

"Two best films Ive seen so far in Cannes: toshiaki toyodas I'M FLASH and soi cheungs MOTORWAY."
- Third Window Films

Site: http://www.imflash-movie.com/
(almost empty so far)

Image

Love Toyoda's early works... Pornostar is a brutal, energetic and occasionally very beautiful Tokyo film, followed by the jaw dropping high school violence drama Blue Spring, followed by the slightly less interesting 9 Souls, followed by Toyoda's best film, Hanging Garden, a beautiful and wicked satire on Japanese family and society - very much The Family Game for the 2000's. And then, the famous drug bust that ended his movie career for years.

The early Toyoda films come with a unique mix of brutal rawness and beauty. A poet and a punk director in the same package.

And in case you've completely fucked up and don't know who Toyoda is, or confuse him with the thing you drive, here's the trailer for Blue Spring:
http://www.youtube.com/watch?v=OrqbFWHiElY

and a clip from Pornostar:
http://www.youtube.com/watch?v=Qamn_HyRv-Y#t=51s
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HungFist
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Re: I'm Flash (Toshiyaki Toyoda, 2012)

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Re: I'm Flash (Toshiyaki Toyoda, 2012)

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HungFist
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Re: I'm Flash (Toshiyaki Toyoda, 2012)

Post by HungFist »

Disappointment, unfortunately, though still not a bad movie.

I'm Flash (Japan, 2012)
Toshiaki Toyoda’s second theatrical release for the year, in the heels of the arthouse fair Monsters Club, is a more mainstream oriented gangster tale. Death Note’s pretty boy Tatsuya Fujiwara stars as a young cult leader who escapes political scandal to his Okinawa base, protected by three bored bodyguards lead by Ryuhei Matsuda. It’s somewhat a return to roots for Toyoda, with stylized visuals and rock score, yet a disappointment. For what was intended as trendy genre pic, it is neither intense enough nor especially original. The setting echoes of Kitano’s Sonatine, but without the laconic humor. Fujiwara falls short of charisma, Matsuda has little to do until the final reel, and the religious cult theme is underutilized. The mediocre film only comes to life during the final 15 minutes, which is a blazing showdown of violent old school Toyoda.