The BFI disc suffers from being a bit of an old encode and vertical cropping. Criterion have boosted the hell out of their transfer so it looks completely wrong - night is bright as day. The Criterion disc also has the horizontal cropping which in this film is a big problem.
The BFI subs are better with the Criterion translation filled with stupid colloquialisms which really got on my nerves. The BFI audio is better as well, less hissing and it's just as clear. The Criterion has a commentary and one of the "It's Wonderful to Create" docus from the R2J's. The BFI has the typical Alex Cox intro.
I hopw I get my R2J soon. I have a feeling it won't be much good but I'd like to see anyway.
Added the R2J. It proves the Criterion 'boosting' further but it has been filtered frightfully. All 3 audio tracks are well ahead of the BFI/Criterion.
The R2J looks the worst to me. Personally I'd opt for the New Criterion, despite it's flaws. I can see it's not perfect but as an overall package it beats the BFI. All IMO of course, there's no need to say I'm wrong as my comments may differ.