Pink Floyd: Dark Side of Moon - Is it as good as they say?
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EvaUnit02
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And yes, the two particular examples that you used of Limp Bizkit and Jay-Z are indeed pop music. Both artists are heavily commercial and tailored their sound to sell to angsty 13 year old boys. Why the hell would Jay-Z do a duets album with Linkin Park otherwise? They sell their shit to the same audience.
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bradavon
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EvaUnit02
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Kurgan
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It's not about machismo or anything. I just didn't like the wailing song. It's got the same mental range as Lady In Red.bradavon wrote:Agreed, it's a great love song. Nothing wrong with love songs or is it not cool or manly to admit such a thing? Bollocks to that.
Yup, they're pop alright.Limp Bizkit are popular does it make them Pop music? Jay-Z is popular is he Pop music? Both of which have been in the Top 40, the Top 40 covers a huge genre of music not all of it Pop, although agreed a big raft of it is.
As I said, there's nothing wrong with pop. Any big artist has achieved a level of pop. They'll have their style which, if it's distinctive enough, becomes pop.
You typed the magic word in there: genre. Pop is not a genre. Hip-hop is a genre. Classical is a genre. Rock is a genre.
There's a distinction, and it's one I've always maintained. All the music I have is, to a greater or lesser degree, pop. I'm not a music kid; I don't go to gigs where unsigned bands play and shit like that. I just have music that I listen to on the radio and whatnot and take it from there.
I've never really heard Katie Melua's music, as I alluded to in the previous post, and so the 'qualified to comment' part is null and void as I've never ventured an opinion on her (aside from that she looks rather cute) However, as I know of her, and she is pretty well known artist generally, I'd say she's pop.The rest maybe but Melua and Blunt aren't pop it's as simple as that. Listen to Melua and you will see it's definitely Jazz. As I presume you're basing your opinion on her more catchy stuff then you aren't really qualified to comment (more than saying you dislike her). Yes agreed her commercial stuff is more poppy if you put me in a corner but most of her album stuff is very much jazz.
You seem to be ducking the label of 'pop' with her and with Blunt, as you see it as bad thing; as though the word itself is mark of being inferior. That's being elitist. At the risk of repeating myself, these artists may have a particular style, but they're still pop. You say she's jazz. She may well be; never listened to her music, but she's popular jazz.
Fair enough.I don't think she's either but credit where credits due she writes her own material and flatly refuses to sing "so called" live from a recording.
Nope, nothing to do with his voice per se. Muse's frontman Matt Bellamy, for instance, can sing really high notes (that I'd have no chance of matching in a karaoke contest) and I think as a band, they're great.Personally I just think some just dislike his unusual male voice, it's not your normal gruff tone.
And they're pop, too

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bradavon
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I beg to differ. If it's not a genre what genre would you say Britney Spears sings? The pop genre. Pop is as much a genre as Jazz, Blues and Rock.Kurgan wrote:Pop is not a genre.
That said most R&B is really the black man's pop. You never hear white people saying they sing R&B, it sounds the same.
Not at all I simply disagree either are pop. I like pop music (such as Kylie Minogue) it doesn't make Melua or Blunt pop.Kurgan wrote:You seem to be ducking the label of 'pop' with her and with Blunt, as you see it as bad thing; as though the word itself is mark of being inferior. That's being elitist.
Of course pop is technically short for popular but that's not how by most people it's thought of. Pop and popular in this context have a very different meaning, ergo pop doesn't actually mean popular at all. Pop means well Pop.Kurgan wrote:but she's popular jazz.
Well Vanessa May mixes around with Classical music so clearly not what I meant at all. I can't talk for Nigel Kennedy as I don't know his stuff.EvaUnit02 wrote:Not the music itself, but the artists that play it can be. Eg Nigel Kennedy and Vanessa Mae.
Funny though that Mozart is very popular yet isn't pop by your own admission, how can that be? Or is it just because he's dead and the music is well old it can't be Pop? If so are you saying to be Popular it has to have an age?
Thousands of all over the world love Mozart but I bet 99% of them would disagree it's Pop. It's not snobbery just a IMO a misunderstanding of the difference between Pop and Popular.
Kurgan and Eva so you're both saying Classical as you both say Pop MUST mean Popular is also Pop music.
By definition any musical genre with a following is popular so therefore Jazz, Rock & Blues are also Pop. Oh wait everything actually comes from Pop and we suddenly only have one genre.
Pop like Rock, like Hip-hop is a particular sound.
Bollocks I'm right and you're wrong
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EvaUnit02
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You've missed what I've been saying entirely. Pop is anything that has manufactured or moulded by a record company specifically to make money and nothing else by appealing to an audience. Your artists that you claim aren't pop wouldn't be signed to a record label if some geezer(s) in (a) suit(s) didn't believe that they could be marketed to a specific audience.
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bradavon
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Well of course it's all about money to them but it doesn't remotely mean they're all either: "manufactured" or "moulded".EvaUnit02 wrote:Your artists that you claim aren't pop wouldn't be signed to a record label if some geezer(s) in (a) suit(s) didn't believe that they could be marketed to a specific audience.
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EvaUnit02
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James Blunt and Katie Melua definitely are. Singer-songwriters are hot shit these days and Black music sells far far better if it's performed by White people (as Eminem has proven).bradavon wrote:Well of course it's all about money to them but it doesn't remotely mean they're all either: "manufactured" or "moulded".
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bradavon
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It's shit hot 
As for Melua and Blunt being manufactured you clearly don't have a clue what you're talking about. Both were singers way before they had record contracts.
As for Melua and Blunt being manufactured you clearly don't have a clue what you're talking about. Both were singers way before they had record contracts.
Very true. White people prefer listening to white people sing. Well most do even if it's subconscious.EvaUnit02 wrote:Black music sells far far better if it's performed by White people (as Eminem has proven).
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thelostdragon
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EvaUnit02
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Makes no difference, it works either way around.bradavon wrote:It's shit hot
They were moulded not manufactured, fool. They were signed in order exploit the current trend in the market, singer-songwriter pap.As for Melua and Blunt being manufactured you clearly don't have a clue what you're talking about. Both were singers way before they had record contracts.
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bradavon
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grim_tales
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bradavon
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Killer Meteor
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grim_tales
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EvaUnit02 wrote:Blunt has an awful voice, it sounds like cats being wrung out mixed with a pubescent boy's voice cracking and "You're Beautiful" is manipulative tripe. "Three Wisemen" other hand is just complete bollocks with totally nonsensical lyrics that wouldn't feel out of place on a fucking Mars Volta album.
This version of "You're Beautiful" is the only one with any genuine artistic merit.
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EvaUnit02
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gojensen
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This is what I call commercial music. Which means I can still have a genre called pop (like Britney) and then either classify it as commercial (like Britney) or "real" (which sadly is going to be left empty at this point in our illustrious musical age...)EvaUnit02 wrote:You've missed what I've been saying entirely. Pop is anything that has manufactured or moulded by a record company specifically to make money and nothing else by appealing to an audience. Your artists that you claim aren't pop wouldn't be signed to a record label if some geezer(s) in (a) suit(s) didn't believe that they could be marketed to a specific audience.
So long, and thanks for all the fish!
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bradavon
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I've been re-listening to this lately and it's growing on me. I liked it the first time I heard it (on SACD 5.1) but did find it the most unusual music I've ever heard (I'd still give it that accolade).
Listening to it again I am enjoying it more but boy it's strange. There isn't even "that" much singing, it's all about the placement of music and eerie audio effects. Eerie is a good word to sum up the album actually. It's not an album I'd want to listen to very often but every now again for sure.
I find most music doesn't lend itself to Surround Sound at all and sounds far superior in Stereo but Dark Side of the Moon really lends itself well to the Surround experience.
As to the SACD the 5.1 Surround mix is one of the best I've ever heard. The start of Time is incredible, each speaker is used one after the other.
Thanks to a AV Forums member I am also lucky to own the completely unofficial bootleg DVD-Audio (on a standard DVD-5 blank no less) which contains the infamous Parsons Quadraphonic 4.0 mix (with an LFE channel added). This is more gutsy and aggressive than the SACD mix. Even so both the SACD and DVD-Audio are very full bodied.
Overall I prefer the subtlety of the SACD mix and having the extra centre channel does help to bring out the music (it's more used for ambience than vocals). The SACD mix is also the Surround mix endorsed by the band, they're not fans of the Parsons Quadraphonic mix (even if many fans are).
* You can read a review of the SACD here: http://www.highfidelityreview.com/revie ... r=19939611
* And a very good comparison review of the SACD vs. Bootleg DVD-Audio here: http://www.highfidelityreview.com/revie ... r=12583627
p.s - The DVD-Audio also has the usual DTS or DD5.1 mixes for those who cannot play DVD-Audio (housed on the DVD-Video section). I've not sampled them but I'm sure they'll suck big time in comparison, they usually do.
Listening to it again I am enjoying it more but boy it's strange. There isn't even "that" much singing, it's all about the placement of music and eerie audio effects. Eerie is a good word to sum up the album actually. It's not an album I'd want to listen to very often but every now again for sure.
I find most music doesn't lend itself to Surround Sound at all and sounds far superior in Stereo but Dark Side of the Moon really lends itself well to the Surround experience.
As to the SACD the 5.1 Surround mix is one of the best I've ever heard. The start of Time is incredible, each speaker is used one after the other.
Thanks to a AV Forums member I am also lucky to own the completely unofficial bootleg DVD-Audio (on a standard DVD-5 blank no less) which contains the infamous Parsons Quadraphonic 4.0 mix (with an LFE channel added). This is more gutsy and aggressive than the SACD mix. Even so both the SACD and DVD-Audio are very full bodied.
Overall I prefer the subtlety of the SACD mix and having the extra centre channel does help to bring out the music (it's more used for ambience than vocals). The SACD mix is also the Surround mix endorsed by the band, they're not fans of the Parsons Quadraphonic mix (even if many fans are).
* You can read a review of the SACD here: http://www.highfidelityreview.com/revie ... r=19939611
* And a very good comparison review of the SACD vs. Bootleg DVD-Audio here: http://www.highfidelityreview.com/revie ... r=12583627
p.s - The DVD-Audio also has the usual DTS or DD5.1 mixes for those who cannot play DVD-Audio (housed on the DVD-Video section). I've not sampled them but I'm sure they'll suck big time in comparison, they usually do.
