Hitoshi Matsumoto’s directorial debyt can’t be blamed for lack of originality. Matsumoto himself stars as Daisato, a big Japanese (Dai Nipponjin) man of extraordinary skills. Whenever Japan is in danger he will transform into 80-foot superhero to fight all sorts of Godzillas and Gameras. Unfortunately times are not good and Daisato has lost his popularity. TV reports of his fights have been pushed past midnight and people mock him as ’big idiot’.
Matsumoto’s brightest idea has been not to deliver a laugh-out-loud comedy but sort of kaiju/super hero mockumentary where a documentary crew follows Daisato’s everyday life and interviews him, his agent, family members and bystanders. The pace is very slow, the humour mostly low key and the style, well, documentaristic. But it’s this contradiction between the content and the execution that makes the film so hilarious. The ending on the other had goes to such limits you probably won’t believe your eyes.
Eastern Promises – 3/5
Cronenberg’s latest is a surprisingly compromised effort. Some elements and plot turns are abysmal and feel like studio requirements. It’s a shame because without those flaws this would be a very impresive movie. On the other hand Cronenberg has not softened his depiction of violence. Eastern Promises features one of the most disturbing and graphic bursts of violence ever seen in a major studio production.
Like a Dragon (Ryu ga gotoku: gekijo-ban) – 3,5/5
Takashi Miike’s video game adaptation isn’t one of his best works but entertains thoroughly nevertheless. Miike sets up a sweaty summer night in Tokyo with a half dozen hot-headed participants on crash course. CGI is kept close to minimum and what there is doesn’t feel too distracting due to the video game origins. The obvious pg-12 requirements show although you have to remember it still allows a couple of hundred baseball bat headshots plus some stylish high bodycount gunplay. Visually the movie looks fantastic with bight colours and endless neon light glare. The cast features some great Miike regulars such as Sho Aikawa as well as many new faces, including the beautiful Saeko who nearly made me yell ”I love you” at the screen a couple of times.


