Oops corrected, considering what I was talking about what do you think I was talking about?grim_tales wrote:LTV?
What Have You Just Seen... Marks Out of 5
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bradavon
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Sanchez is the closest the series has ever come to having a three-dimensional villain whose motives you can actually undertsand. He's not some mad bastard who wants to take over the world with rockets, but a drug dealer who wants money, a hot bitch, and loyalty. It's this last quality that gives him a human edge and ultimately proves to be the chink in his armour. Who cares if he's Latin?bradavon wrote:The villain is a bit too much your typical Hollywood stereotype, right down to being a Latino (something still today Hollywood loves doing).
Did you see a cut version?I fail to see why it's 15 rated, especially when Casino Royale which is much more violent is not.
We have a woman being whipped, a man's head exploding from air compression, another being grinded into chunks, a man having his leg bit off by a shark, a man being impaled on a fork lift, a man being engulfed in flames... WTF were you watching??
I'm not convinced. It was originally offered an '18' back in 1989.I didn't find it violent enough for a 15. I guess it's because there is no 12A on video, but really 12 on video thinking about it would be fine. Today it would be 12A in the cinema though.
How could you miss that? There's a whole scene where Bond steals a waterplane and there's bundles of cash inside. You skimmed the film didn't you?One thing though how on earth did Bond have so much cash? He had millions at his disposal. I was it stolen from Sanchez? If so I missed that.
That's what I'm wondering...? I meant it's in the Lethal Weapon-style of tough 80's American action films, rather than traditional british bond(age). I'm not trying to compare quality.Did we see the same film? It's not at all like Lethal Weapon, it's better.
Lol, watch the scenes between Dalton and Maryam D'Abo in TLD and see how he interacts with a woman he loves. Then imagine him doing that shower scene from CR and you might see what I mean. I DID like Craig though and think his performance will stand the test of time. I just would have preferred a bit more tenderness in the romance to counterbalance the brutality surrounding.Markgway wrote:Agreed he would have but so did Craig you Dalton fanboy. Both are as good as each other acting wise.
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He's also a very stereotypical Hollywood criminal Latino. Which like the English get too much of a bad rap as movie villains, that's why I care.Markgway wrote:Sanchez is the closest the series has ever come to having a three-dimensional villain whose motives you can actually undertsand. He's not some mad bastard who wants to take over the world with rockets, but a drug dealer who wants money, a hot bitch, and loyalty. It's this last quality that gives him a human edge and ultimately proves to be the chink in his armour. Who cares if he's Latin?
So many Hollywood films it's the Latino whose the criminal. Don't get me wrong LTK is still a good film but a mark needs to be knocked off for this.
Agreed he's not some over the top villain of most Bonds which was refreshing but that doesn't excuse such a stereotype.
I said I saw the SEMarkgway wrote:Did you see a cut version?
The woman being whipped was so camped up (he seems to be hitting her with a dead lizard) if still a little shocking but otherwise Bruce has already corrected me. I still say Casino Royale is more violent.Markgway wrote:We have a woman being whipped, a man's head exploding from air compression, another being grinded into chunks, a man having his leg bit off by a shark, a man being impaled on a fork lift, a man being engulfed in flames... WTF were you watching??p
I suppose these Bond films it's more shocking but I still don't think it's hugely violent.
That was 1989. Today it would easily be 12A (just look at Casino Royale), as for DVD 15 still probably (only because like TND and GE no 12A exists on video).Markgway wrote:I'm not convinced. It was originally offered an '18' back in 1989.
Oh yes there's some cash left thanks. I only remembered all the cash that flew out. Odd as I remember seeing that scene but then forgot it (i.e - the cash shot not the whole scene). That's a good scene btw.Markgway wrote:How could you miss that? There's a whole scene where Bond steals a waterplane and there's bundles of cash inside. You skimmed the film didn't you?
I'll reserve judgement until I've seen TLD again but so far I thought Craig did an excellent job, no complaints from me. I thought it was much more than a "good start".Markgway wrote:I just would have preferred a bit more tenderness in the romance to counterbalance the brutality surrounding.
Clearly something funny I've missed? To watch it btw.thelostdragon wrote:To do what?
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tom2681
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How is he a stereotype? Please tell me all the stereotypical things about him please as I'd love to know. What does Sanchez do that any non-Latino druglord couldn't or wouldn't? The film is set in S. America a place where the majority of drugs in America comes from. It's essential to the plot he be Latino. So if you could explain to me what the beef is I'd appreciate it, thanks.bradavon wrote:He's also a very stereotypical Hollywood criminal Latino. Which like the English get too much of a bad rap as movie villains, that's why I care. So many Hollywood films it's the Latino whose the criminal. Don't get me wrong LTK is still a good film but a mark needs to be knocked off for this. Agreed he's not some over the top villain of most Bonds which was refreshing but that doesn't excuse such a stereotype.
That was only missing about 10 secs courtesy the MPAA. Still some strong violence though.At least I think it was the framing was the same. I didn't watch a DVD.
Both are violent. I never said they were shocking. Just that they contained strong violence, which you disagreed with.The woman being whipped was so camped up (he seems to be hitting her with a dead lizard) if still a little shocking but otherwise Bruce has already corrected me. I still say Casino Royale is more violent.
To go from an '18' to a '12' seems unlikely and the BBFC COULD have given it a "12" if they'd wanted to when they passed it uncut two years ago. Casino Royale will probably be a "15" as the cinema cuts have been much publicised and I expect marketing will dictate an uncut edition. 12A has nothing to do with video as the "12" is the equivilent of the 12A (you can't really have advisory on video). The BBFC gave TND and GE "15" ratings because they felt the "uncut" films were too strong for "12s"; that version of TND did play with a "12" at the cinema though. I guess the BBFC changed their mind about its suitability at that category (in the home).Markgway wrote:That was 1989. Today it would easily be 12A (just look at Casino Royale), as for DVD 15 still probably (only because like TND and GE no 12A exists on video).
I guess I'm just wary of over-praising Craig at such an early stage, having only seen the film once. I'm actually already looking forward to the DVD - which says a lot as I don't normally do that.Markgway wrote:I'll reserve judgement until I've seen TLD again but so far I thought Craig did an excellent job, no complaints from me. I thought it was much more than a "good start".
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hey,
Ghosts Galore 1.5/5
Chin Siu-Ho and heavyset fella Chiang Kam (Snake In The Eagle's Shadow) team up to learn magic from an old master played by Lo Lieh. Unbearable comedy and far from inspired magic battles ensues. The odd excursion into swordplay is fast and fluid and the surprise death of a lead character at the half way point makes director Hsu Hsia go for choreographed set piece after set piece instead. Thus less boredom but us Westerners do lose out on some of the jokes concerning gods used for various battle scenarios. Hwang Jang-Lee also is allowed to cut loose way too late, having stood behind an altar most of his screentime. A tired and resigned Shaw Brother's production no one needs to watch when it does hit dvd or vcd.
Ghosts Galore 1.5/5
Chin Siu-Ho and heavyset fella Chiang Kam (Snake In The Eagle's Shadow) team up to learn magic from an old master played by Lo Lieh. Unbearable comedy and far from inspired magic battles ensues. The odd excursion into swordplay is fast and fluid and the surprise death of a lead character at the half way point makes director Hsu Hsia go for choreographed set piece after set piece instead. Thus less boredom but us Westerners do lose out on some of the jokes concerning gods used for various battle scenarios. Hwang Jang-Lee also is allowed to cut loose way too late, having stood behind an altar most of his screentime. A tired and resigned Shaw Brother's production no one needs to watch when it does hit dvd or vcd.
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Soul 3/5
Moody and subdued drama that mixes triad plot inclusions with the main journey of a woman (Deannie Yip) re-building character in the face of life altering tragedy. Director Shu Kei (Hu-Du-Men) doesn't always make it easy for us but wins several narrative battles and anyway had me hooked into a certain freshness and unpredictability. Jacky Cheung has a nice supporting role as a triad henchmen learning to think for himself and famed Taiwanese director Hou Hsiao-Shien has a supporting role too.
Soul 3/5
Moody and subdued drama that mixes triad plot inclusions with the main journey of a woman (Deannie Yip) re-building character in the face of life altering tragedy. Director Shu Kei (Hu-Du-Men) doesn't always make it easy for us but wins several narrative battles and anyway had me hooked into a certain freshness and unpredictability. Jacky Cheung has a nice supporting role as a triad henchmen learning to think for himself and famed Taiwanese director Hou Hsiao-Shien has a supporting role too.
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bradavon
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Nope still confused. Does it stand for something? -tom2681 wrote:You said "I've ordered TLD". Think about it....
http://en.wikipedia.org/wiki/TLD
Well of course if you're going to set a film in South America he needs to be Latino but then my point as I already said was so many Hollywood films feature Latinos as the villain and that's it the villain. Always the villain.Markgway wrote:How is he a stereotype? Please tell me all the stereotypical things about him please as I'd love to know. What does Sanchez do that any non-Latino druglord couldn't or wouldn't? The film is set in S. America a place where the majority of drugs in America comes from. It's essential to the plot he be Latino. So if you could explain to me what the beef is I'd appreciate it, thanks.
I've explained myself better further up.
True but then they're going from a 15 to a 12. It was never released as an 18 but otherwise point taken.Markgway wrote:To go from an '18' to a '12' seems unlikely
It's not his first acting job.Markgway wrote:I guess I'm just wary of over-praising Craig at such an early stage, having only seen the film once.
What does FWIW mean please?brooce-leroy wrote:I think License To Kill is much more violent than Casino Royale FWIW. Both in tone, and in graphic detail.
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Pan's Labyrinth
10 out of 10
Spanish title: El Laberinto del Fauno (translated to: The Labyrinth of the Fauna)
Pan’s Labyrinth is OUTSTANDING. It's not often I get to say this but the film is FLAWLESS, everything is perfect.
The imagery is out of this world. Guillermo del Toro is a genius, sorry I'm gushing but Pan’s Labyrinth is that sort of film.
The film perfectly blends the real life brutality of the Spanish civil war with some truly breathtaking fantasy imagery.
Ivana Baquero who plays the little girl is tremendous, actually everyone is perfect. It's very scary in places, shocking, sad, happy and violent too. All rolled into one masterpiece of a film. Pan’s Labyrinth is the sort of film when the credits roll you sit there in awe at what you've just been privileged to sit through.
It is the sort of film that makes going to see all the drivel that is thrown at us worth while. I am proven yet again correct that Spanish language cinema (namely Spain and Mexico) is easily the most exciting area right now for film, far more exciting to me than Korean cinema.
I can confidently say everyone on this forum will love it or at the very least like it.
10 out of 10
Spanish title: El Laberinto del Fauno (translated to: The Labyrinth of the Fauna)
Pan’s Labyrinth is OUTSTANDING. It's not often I get to say this but the film is FLAWLESS, everything is perfect.
The imagery is out of this world. Guillermo del Toro is a genius, sorry I'm gushing but Pan’s Labyrinth is that sort of film.
The film perfectly blends the real life brutality of the Spanish civil war with some truly breathtaking fantasy imagery.
Ivana Baquero who plays the little girl is tremendous, actually everyone is perfect. It's very scary in places, shocking, sad, happy and violent too. All rolled into one masterpiece of a film. Pan’s Labyrinth is the sort of film when the credits roll you sit there in awe at what you've just been privileged to sit through.
It is the sort of film that makes going to see all the drivel that is thrown at us worth while. I am proven yet again correct that Spanish language cinema (namely Spain and Mexico) is easily the most exciting area right now for film, far more exciting to me than Korean cinema.
I can confidently say everyone on this forum will love it or at the very least like it.
Last edited by bradavon on 14 Jan 2007, 21:24, edited 1 time in total.
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tom2681
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bradavon
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tom2681
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I watched Pan's Labyrinth about a week ago.
Boring, so boring...
The real-world scenes were nice, but the fantasy scenes bored me to death.
Sure it was pretty, sure Ivana Baquero's acting was great, but...
I couldn't find anything gripping or even remotely intriguing about this movie.
It's just... meh...
EDIT:
They all will.
Boring, so boring...
The real-world scenes were nice, but the fantasy scenes bored me to death.
Sure it was pretty, sure Ivana Baquero's acting was great, but...
I couldn't find anything gripping or even remotely intriguing about this movie.
It's just... meh...
EDIT:
Brad wrote:I can confidently say everyone on this forum will love it or at the very least like it.
I used to be "the man who loves the movies you hate".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
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bradavon
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No, you haven't. It's just PC dribble as usual.bradavon wrote:Well of course if you're going to set a film in South America he needs to be Latino but then my point as I already said was so many Hollywood films feature Latinos as the villain and that's it the villain. Always the villain. I've explained myself better further up.
Huh? I never said it was. It's his first time as Bond.It's not his first acting job.
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tom2681
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As I said:Brad wrote:Surely you found the imagery well done at the very "least"?
Tom2681 wrote:Sure it was pretty
I felt that Del Toro put more emphasis on the fantasy scenes. Those were boring IMO.Brad wrote:can't be boring if the real world scenes were nice
I used to be "the man who loves the movies you hate".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
- brooce-leroy
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The Bourne Identity/The Bourne Supremacy 4/5
Watched them again recently.
Both are fantastic films. The first one is a great deal of fun with some well directed action, and Matt Damon so badass (I never thought he would be capable of it, which I maybe why I like the movie so much; down to his portrayal).
The 2nd is just as good, and in a way even better. It doesn't have as much action, but a much more compelling plot. It's essentially a 70s conspiracy thriller (e.g. like 3 days of the Condor) made today. Full of intrigue and other fantastic stuff you get in these type of films (I'm very tired now BTW). I don't an iota of a problem with the shakey cam either - I think it fits the film perfectly, and Paul Greengrass is a great talent.
Watched them again recently.
Both are fantastic films. The first one is a great deal of fun with some well directed action, and Matt Damon so badass (I never thought he would be capable of it, which I maybe why I like the movie so much; down to his portrayal).
The 2nd is just as good, and in a way even better. It doesn't have as much action, but a much more compelling plot. It's essentially a 70s conspiracy thriller (e.g. like 3 days of the Condor) made today. Full of intrigue and other fantastic stuff you get in these type of films (I'm very tired now BTW). I don't an iota of a problem with the shakey cam either - I think it fits the film perfectly, and Paul Greengrass is a great talent.
"We do not train to be merciful. Mercy is for the weak. A man confronts you, he is the enemy. The enemy deserves no mercy."



