cast the likes of Francis in there and you might have something...
What Have You Just Seen... Marks Out of 5
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Yep not half as much as the likes of other Page 3 ladies but she did do some.
I happen to think Streaming still exists SOLELY so they can try and control people downloading media.
martincampbell@casinoroyale.hongkongremake.com.hk
I happen to think Streaming still exists SOLELY so they can try and control people downloading media.
E-mail the director and ask:Knetan wrote:cast the likes of Francis in there and you might have something...
martincampbell@casinoroyale.hongkongremake.com.hk
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hey,
Rose (aka Blue Valentine) 3/5
"Have you ever seen Maggie Cheung act in a movie with Roy Cheung?
I don't know, we haven't tried but maybe there will be some sparks" This is actual dialogue from Rose, a not so subtle in joke but director Samson Chiu actually makes us believe it's an intriguing proposition for a romantic drama. And it is on a pretty decent level which means we get a break from the norm in terms of what Roy Cheung is usually given to do. A bit predictable and sappy, this was only Chiu's second film but end reel poignancy is quite strong and would be even more so in subsequent films such as Yesteryou, Yesterme, Yesterday and When I Fall In Love... With Both.
Rose (aka Blue Valentine) 3/5
"Have you ever seen Maggie Cheung act in a movie with Roy Cheung?
I don't know, we haven't tried but maybe there will be some sparks" This is actual dialogue from Rose, a not so subtle in joke but director Samson Chiu actually makes us believe it's an intriguing proposition for a romantic drama. And it is on a pretty decent level which means we get a break from the norm in terms of what Roy Cheung is usually given to do. A bit predictable and sappy, this was only Chiu's second film but end reel poignancy is quite strong and would be even more so in subsequent films such as Yesteryou, Yesterme, Yesterday and When I Fall In Love... With Both.
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The Magic Crane (Tsui Hark - 1993): 4,5/5
One of the most ambitious Wuxia flicks ever made.
Bigger than "Swordsman 2", "Flying Dagger" and "Butterfly and Sword".
Crazier than the climax of "Dragon Gate Inn".

One of the most ambitious Wuxia flicks ever made.
Bigger than "Swordsman 2", "Flying Dagger" and "Butterfly and Sword".
Crazier than the climax of "Dragon Gate Inn".

I used to be "the man who loves the movies you hate".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
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Definitely a bit longer than necessary, and I don't really understand poker that much either (although I got the jist of it), so it felt a bit long after the blistering opening third of the film.bradavon wrote:Casino Royale
Pity as bar a few niggles:
1. Yes it's about 20 minutes too long
2. M as Judi Dench is right out of place
3. A reference to 9/11 (What???)
4. No Miss Moneypenny
I disagree about Judi and thought she was fantastic. She gets better as M in every film IMO. What is wrong with a reference to 9/11? It is set in the modern day. I know it wrecks any form of timeline continuity but this is a reboot/reimagining. I don't think it's a big problem anyway as we've always had to accept a new face playing 007 after a certain period.
"We do not train to be merciful. Mercy is for the weak. A man confronts you, he is the enemy. The enemy deserves no mercy."
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Casino Royale 3.5/5
It stops short of being a 4/5 because slightly over long, and the ending is too abrupt (although I realise that the story is not over yet). It starts off on fire, with some ferocios set pieces (which "out-Bourne" Jason Bourne) but the rest can't quite live up to it (on this first viewing anyway).
In a way, I commend the writers for focusing on the interplay between Bond and Vesper after the opening third of the film. The final third definitely focuses on the story and the main leads, and everything else that follows revolves around their relationship. Definitely closest Bond film in style to On Her Majesty's Secret Service (which I think is amazing, and Lazenby in no way as bad as some make out).
The big success of the film is definitely Daniel Craig. He is absolutely amazing as Bond, who seems like an indestructible force of nature, but paradoxically is quite vulnerable too. Pierce Brosnan had his style which I really liked, but I think Daniel Craig is more like Tim Dalton Bond, except he takes it one step further, and everything is just right about the performance. Absolutely fantastic, and the doubters should now be eating so much humble pie that they end up with diarohea(sp?).
So 3.5/5 for now, but probably a 4/5 after further viewings. After all, I didn't like Goldeneye at first, but is now my favourite Brosnan Bond.
It stops short of being a 4/5 because slightly over long, and the ending is too abrupt (although I realise that the story is not over yet). It starts off on fire, with some ferocios set pieces (which "out-Bourne" Jason Bourne) but the rest can't quite live up to it (on this first viewing anyway).
In a way, I commend the writers for focusing on the interplay between Bond and Vesper after the opening third of the film. The final third definitely focuses on the story and the main leads, and everything else that follows revolves around their relationship. Definitely closest Bond film in style to On Her Majesty's Secret Service (which I think is amazing, and Lazenby in no way as bad as some make out).
The big success of the film is definitely Daniel Craig. He is absolutely amazing as Bond, who seems like an indestructible force of nature, but paradoxically is quite vulnerable too. Pierce Brosnan had his style which I really liked, but I think Daniel Craig is more like Tim Dalton Bond, except he takes it one step further, and everything is just right about the performance. Absolutely fantastic, and the doubters should now be eating so much humble pie that they end up with diarohea(sp?).
So 3.5/5 for now, but probably a 4/5 after further viewings. After all, I didn't like Goldeneye at first, but is now my favourite Brosnan Bond.
"We do not train to be merciful. Mercy is for the weak. A man confronts you, he is the enemy. The enemy deserves no mercy."
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bradavon
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Don't get me wrong I too thought she was fantastic. That's not what I said.brooce-leroy wrote:I disagree about Judi and thought she was fantastic. She gets better as M in every film IMO.
The reason you just mentioned. Don't forget I said "niggles" an important word in the cons with the film. I overall don't give a shit (they're just niggles).brooce-leroy wrote:What is wrong with a reference to 9/11? It is set in the modern day. I know it wrecks any form of timeline continuity but this is a reboot/reimagining.
Of course I never said I have a problem with a new 007. Craig's performance is one of the best the series has ever seen.brooce-leroy wrote:I don't think it's a big problem anyway as we've always had to accept a new face playing 007 after a certain period.
I do get bored however with all the Bourne comparisons.brooce-leroy wrote:which "out-Bourne" Jason Bourne
007 was killing people and bedding ladies well before Bourne was even born. They're two very different series and only have the lead character being a spy in common, that's it. The comparisons are unfair IMO.
Funnily enough I'm about to watch OHMSS in a minute. It was on ITV4 earlier. I should give it another chance.On Her Majesty's Secret Service (which I think is amazing, and Lazenby in no way as bad as some make out)
Last edited by bradavon on 20 Nov 2006, 00:00, edited 1 time in total.
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Fair enough, but it does sound like you're saying Dench is not suitable as M in this film, by saying she is out of place. I thought she was very much "in place." 
OHMSS, The Living Daylights and License to Kill are all excellent Bonds IMO. The Living Daylights certainly isn't dull, with a great sense of scale and spectacle, and some good set pieces throughout. It was my first Bond at the cinema and I remember loving it.
OHMSS, The Living Daylights and License to Kill are all excellent Bonds IMO. The Living Daylights certainly isn't dull, with a great sense of scale and spectacle, and some good set pieces throughout. It was my first Bond at the cinema and I remember loving it.
"We do not train to be merciful. Mercy is for the weak. A man confronts you, he is the enemy. The enemy deserves no mercy."
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bradavon
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Why not it's a great action film, like most of the newer Bonds it's not Spy thriller but a decent action flick it is.
I've deleted my comments about the Dalton Bonds until I've seen it again. They're based on opinions of films I've not seen for so long and therefore not worth much.
Sorry that's my mistake for not choosing my words more wisely. As usual bench is very good, if a little odd considering the time line.brooce-leroy wrote:Fair enough, but it does sound like you're saying Dench is not suitable as M in this film, by saying she is out of place. I thought she was very much "in place."
My first Bond was Goldeneye I think.brooce-leroy wrote:OHMSS, The Living Daylights and License to Kill are all excellent Bonds IMO. The Living Daylights certainly isn't dull, with a great sense of scale and spectacle, and some good set pieces throughout. It was my first Bond at the cinema and I remember loving it.
I've deleted my comments about the Dalton Bonds until I've seen it again. They're based on opinions of films I've not seen for so long and therefore not worth much.
Only in the sense both are spy thrillers, otherwise they have nothing in common.grim_tales wrote:Bourne has more in common with the earlier Bonds
Regardless it's not a fair comparison.grim_tales wrote:we're comparing them to modrn Bonds, not early ones.
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On her Majesty's Secret Service
6 out of 10
First the good, agreed Bruce it's not half as bad most people seem to think. Lazenby I was surprised to see is actually good at the action scenes (he looked in control of the fights), he's also pretty suave too.
That said he has a serious charisma problem. For what he is he has more charisma than I was expecting but when you consider him again Connery, Moore, Brosnan and Craig (I've left Dalton out not remembering well enough his performance) he's seriously lacking. We're expected to honestly believe women fall at his feet?
This would actually have not been so bad had the running time been less (140 minutes). Bar a couple of small fights at the start I had to endure Lazenby's vapid charisma for a good 90 minutes before something finally happens.
The stupid plot of brainwashing the women was very 1960's free love rubbish. When it does however it doesn't let up and the ending (from the ski chase onwards) is lots of fun.
By golly Diana Rigg was a looker wasn't she and when she dies this is played out surprisingly well.
I was also surprised to see only one gadget in the entire film and Q only appearing briefly at the start and finale.
It did make a nice change to see Blofeld again and also all the 1960s touches such as "Mr and Mrs James Bond" which are from a bygone era we won't be seeing again.
Also unlike Craig's performance Lazenby's is very much of an Englishmen, a womaniser yes but an Englishmen still the same. This too is from an era now over.
All in all not a bad film, pity it's not a particularly good one either.
It's such a shame OHMSS wasn't made earlier as planned with Connery as I seriously reckon given the script it would've been one of the best.
6 out of 10
First the good, agreed Bruce it's not half as bad most people seem to think. Lazenby I was surprised to see is actually good at the action scenes (he looked in control of the fights), he's also pretty suave too.
That said he has a serious charisma problem. For what he is he has more charisma than I was expecting but when you consider him again Connery, Moore, Brosnan and Craig (I've left Dalton out not remembering well enough his performance) he's seriously lacking. We're expected to honestly believe women fall at his feet?
This would actually have not been so bad had the running time been less (140 minutes). Bar a couple of small fights at the start I had to endure Lazenby's vapid charisma for a good 90 minutes before something finally happens.
The stupid plot of brainwashing the women was very 1960's free love rubbish. When it does however it doesn't let up and the ending (from the ski chase onwards) is lots of fun.
By golly Diana Rigg was a looker wasn't she and when she dies this is played out surprisingly well.
I was also surprised to see only one gadget in the entire film and Q only appearing briefly at the start and finale.
It did make a nice change to see Blofeld again and also all the 1960s touches such as "Mr and Mrs James Bond" which are from a bygone era we won't be seeing again.
Also unlike Craig's performance Lazenby's is very much of an Englishmen, a womaniser yes but an Englishmen still the same. This too is from an era now over.
All in all not a bad film, pity it's not a particularly good one either.
It's such a shame OHMSS wasn't made earlier as planned with Connery as I seriously reckon given the script it would've been one of the best.
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tom2681
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Always Sanchone no Yuhi (Always Sunset on Third Street): 4/5
Nice little dramatic film with some funny bits here and there.
+Awesome use of CGI to recreate Tokyo from the 50's.
Some of the melodrama is quite over the top and unnecessary, but the actors are convincing enough.
Will buy the Thai DVD.
or
Will sell a kidney so I can buy the japanese DVD.
Thanks Bisc.
Nice little dramatic film with some funny bits here and there.
+Awesome use of CGI to recreate Tokyo from the 50's.
Some of the melodrama is quite over the top and unnecessary, but the actors are convincing enough.
Will buy the Thai DVD.
or
Will sell a kidney so I can buy the japanese DVD.
Thanks Bisc.
I used to be "the man who loves the movies you hate".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
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