What Have You Just Seen... Marks Out of 5
- grim_tales
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- grim_tales
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Sounds good then!
Lone Wolf and Cub: Babycart to Hades - 3/5
Not as good as the first 2 films IMO, but I loved the OTT final battle with Itto taking on an entire army who are armed with guns and arrows
Funny I cant even identify the spoken language as Japanese, I know my friend said the film is et 400 years ago (?) so the Japanese must be very old and hard to understand.
Lone Wolf and Cub: Babycart to Hades - 3/5
Not as good as the first 2 films IMO, but I loved the OTT final battle with Itto taking on an entire army who are armed with guns and arrows
Funny I cant even identify the spoken language as Japanese, I know my friend said the film is et 400 years ago (?) so the Japanese must be very old and hard to understand.
- grim_tales
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- BiscLimpkit
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tom2681
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Shadowless Sword (Korea - 2006): 4,5/5
A very good swordplay film, which is really close to Bichunmoo in terms of imagery, characters and fighting techniques (Shin Yun-Jun even uses the Bichun style from Bichunmoo at one point).
As usual, Yun So-Yee is absolutely perfect. She had already blown me away in Arahan, but she's even better when playing a swordswoman.
The cinematography is superb. It's nice to see that Kim Yun-Jun has improved a lot since Bichunmoo.
Ma Yuk-Sing's choregraphies are fantastic, as usual.
It's also nice to see some comedy in a korean swordplay film. Of course it's not as funny as Flying Dagger or Butterfly Sword, but it's a nice touch anyway.
There are loads of nice references to Bichunmoo, Swordsman 2, and even Ashes of Time.
Overall, a great korean swordplay film to add to my collection.
BTW: The version I've seen is 115 minutes long. It is the so-called "extended international version".
A very good swordplay film, which is really close to Bichunmoo in terms of imagery, characters and fighting techniques (Shin Yun-Jun even uses the Bichun style from Bichunmoo at one point).
As usual, Yun So-Yee is absolutely perfect. She had already blown me away in Arahan, but she's even better when playing a swordswoman.
The cinematography is superb. It's nice to see that Kim Yun-Jun has improved a lot since Bichunmoo.
Ma Yuk-Sing's choregraphies are fantastic, as usual.
It's also nice to see some comedy in a korean swordplay film. Of course it's not as funny as Flying Dagger or Butterfly Sword, but it's a nice touch anyway.
There are loads of nice references to Bichunmoo, Swordsman 2, and even Ashes of Time.
Overall, a great korean swordplay film to add to my collection.
BTW: The version I've seen is 115 minutes long. It is the so-called "extended international version".
I used to be "the man who loves the movies you hate".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
- grim_tales
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- grim_tales
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the68monkey
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Haven't seen that in years, but yes, it's about a passionate love affair between a man and a woman that completely consumes them. They cannot bear to be apart from each other, in a completely sensual way.grim_tales wrote:OK
Actually I've heard (stated on the BBFC site). the video version is about 6 minutes shorter than the cinema print - what gives?Not that I'm any hurry to see a less cut version but still.
Unsimulated? You mean its actual sex?
I could be WAY off base here, but seems like the ending part was based on a real life event? Hmm, I'll have to look into whether or not that's right.
My favorite Hong Kong screen villain? www.yuenwah.com
- Markgway
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- thelostdragon
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romerojpg
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Tom2681 wrote:Shadowless Sword (Korea - 2006): 4,5/5
A very good swordplay film, which is really close to Bichunmoo in terms of imagery, characters and fighting techniques (Shin Yun-Jun even uses the Bichun style from Bichunmoo at one point).
As usual, Yun So-Yee is absolutely perfect. She had already blown me away in Arahan, but she's even better when playing a swordswoman.
The cinematography is superb. It's nice to see that Kim Yun-Jun has improved a lot since Bichunmoo.
Ma Yuk-Sing's choregraphies are fantastic, as usual.
It's also nice to see some comedy in a korean swordplay film. Of course it's not as funny as Flying Dagger or Butterfly Sword, but it's a nice touch anyway.
There are loads of nice references to Bichunmoo, Swordsman 2, and even Ashes of Time.
Overall, a great korean swordplay film to add to my collection.
BTW: The version I've seen is 115 minutes long. It is the so-called "extended international version".
Comedy
- thelostdragon
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Exactly what I thought! Of course, with a score of 4.5/5 Tom will say it won't, but we all know his Top 10 list. And although I agree that some of the films, he picked to be in his top 10 list, are good films, he still has "Twins Effect 2" in there.romerojpg wrote:Comedyhope its doesnt ruin the film like The Duelist did!
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ReconFive
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Somehow i strongly doubt that your going to find humor similar to Memories of Murder in Shadowless Sword.romerojpg wrote:As long as its comedy like say Memories of Muder, or other more serious toned comedy from Korea I wont mind. Slapstick sex jokes and funny music, with speeded up running isnt good
Anyway thanks for the review Tom. I'll probably pick up the LE in Korea.
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tom2681
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Yes it does.LD wrote:Does the New Line Cinema logo appear at the beginning of the film?
I haven't been able to watch more than 20 minutes of The Duelist. Too much style, zero substance (just like Nowhere to Hide).Romero wrote:Comedy... hope its doesnt ruin the film like The Duelist did!
Nah, the comedy touches are quite subtle.
I used to be "the man who loves the movies you hate".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
- grim_tales
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Yeah thats' right. The UK DVD uses a French print, its a pretty good transfer.Markgway wrote:From what I know there's some brief hardcore footage in the film, which the BBFC left alone because it was an arthouse film no ill-educated pleb was going to see. They did optically reframe a bit where a woman yanks a little boy's penis because it contravines the child protection act.
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tom2681
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Running Wild (Korea - 2006) 2,5/5
I remember being quite disappointed with A Bittersweet Life last year.
It was a nice film, but there was nothing special about it. It was just "average".
And now, it's time for Running Wild (aka The Animal / Yasu).
Same problem. Same opinion. While Yu Ji-Tae and Kwon Sang-Wu are amazing, the story is quite confusing and some characters are under-developed. (maybe the extended cut will fix it).
The fights look good for the most part, but the soundtrack by Kenji Kawai is horrible. It sounds like he just remixed some soundclips from Seven Swords and put them in the background during the action scenes.
Overall, a fairly uninteresting film. Too bad, I was expecting so much more.
I remember being quite disappointed with A Bittersweet Life last year.
It was a nice film, but there was nothing special about it. It was just "average".
And now, it's time for Running Wild (aka The Animal / Yasu).
Same problem. Same opinion. While Yu Ji-Tae and Kwon Sang-Wu are amazing, the story is quite confusing and some characters are under-developed. (maybe the extended cut will fix it).
The fights look good for the most part, but the soundtrack by Kenji Kawai is horrible. It sounds like he just remixed some soundclips from Seven Swords and put them in the background during the action scenes.
Overall, a fairly uninteresting film. Too bad, I was expecting so much more.
I used to be "the man who loves the movies you hate".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
- thelostdragon
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Woooo... quite a statement.Tom2681 wrote:Too much style, zero substance (just like Nowhere to Hide).
Last edited by thelostdragon on 16 Apr 2006, 11:05, edited 1 time in total.
- grim_tales
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tom2681
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I've watched Nowhere to Hide 3 times to make sure I hadn't missed anything.
I didn't find anything in this film. It's completely empty.
Sure the camerawork is great, but that alone doesn't make a film...
I didn't find anything in this film. It's completely empty.
Sure the camerawork is great, but that alone doesn't make a film...
I used to be "the man who loves the movies you hate".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
Now I'm just "that weird french guy with a cat avatar who comes to BnB once a year for no reason and then disappears again".
- HungFist
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- BiscLimpkit
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Densha Otoko (aka Train Man) 4/5
Densha Otoko appears to be TV director Masanori Murakami's first feature length project. The story originated from an actual online transcript, which documented one internet nerd's pursuit for love with a pretty Tokyo girl. This later evolved into a Manga, then a novel and even a play, before being adapted for cinema and TV. Popular young actor Takayuki Yamada, who has such J-dramas as Sekai no Chushin de and Waterboys under his belt, handles the role of Train Man - a 22 year old dweeb who is too nervous to confront a girl he met on the train. As a result, he resorts to a website, where a group of anonymous online buddies decide to help him out. Through advice, arguements and pressure, he slowly develops a relationship with his dream girl.
I'm not sure how faithful the film is to the actual events but Densha Otoko paints a reasonably accurate picture of the whole "otaku" (Japanese for 'geek') culture. We have a wide range of individuals helping him out, from video game enthusiasts to those who live in social isolation. The whole online community thing is now pretty common worldwide - people are not afraid to open up to strangers. In that respect, the film has done well to portray our reliance on the internet in an amusing yet heart-felt manner.
Even the romance angle was quite nicely done; the lead female (played by Miki Nakatani) is made to look like a naturally beautiful woman, someone you could easily meet on the train and not some hard-to-approach celebrity. However this relationship gradually slips into familiar melodramatic territory, something the Japanese are great experts of. Incidentally, Takayuki Yamada is more convincing in the sentimental chapters. His timing for comedy requires a little practise and his nervous twitchings do begin to irritate after a while. Having said that, there is still enough humour to bind the story together and deliver a well rounded rom-com.
Additional note...
The HK region three is remarkably annoying in the sense that it has dual English-Chinese subtitles (like in Sekai no Chushin de). This is a bad move, as it masks a lot of the cool Japanese smilies and text transcript. The Dolby and DTS mixes however, are fantastic.

Densha Otoko appears to be TV director Masanori Murakami's first feature length project. The story originated from an actual online transcript, which documented one internet nerd's pursuit for love with a pretty Tokyo girl. This later evolved into a Manga, then a novel and even a play, before being adapted for cinema and TV. Popular young actor Takayuki Yamada, who has such J-dramas as Sekai no Chushin de and Waterboys under his belt, handles the role of Train Man - a 22 year old dweeb who is too nervous to confront a girl he met on the train. As a result, he resorts to a website, where a group of anonymous online buddies decide to help him out. Through advice, arguements and pressure, he slowly develops a relationship with his dream girl.
I'm not sure how faithful the film is to the actual events but Densha Otoko paints a reasonably accurate picture of the whole "otaku" (Japanese for 'geek') culture. We have a wide range of individuals helping him out, from video game enthusiasts to those who live in social isolation. The whole online community thing is now pretty common worldwide - people are not afraid to open up to strangers. In that respect, the film has done well to portray our reliance on the internet in an amusing yet heart-felt manner.
Even the romance angle was quite nicely done; the lead female (played by Miki Nakatani) is made to look like a naturally beautiful woman, someone you could easily meet on the train and not some hard-to-approach celebrity. However this relationship gradually slips into familiar melodramatic territory, something the Japanese are great experts of. Incidentally, Takayuki Yamada is more convincing in the sentimental chapters. His timing for comedy requires a little practise and his nervous twitchings do begin to irritate after a while. Having said that, there is still enough humour to bind the story together and deliver a well rounded rom-com.
Additional note...
The HK region three is remarkably annoying in the sense that it has dual English-Chinese subtitles (like in Sekai no Chushin de). This is a bad move, as it masks a lot of the cool Japanese smilies and text transcript. The Dolby and DTS mixes however, are fantastic.



