Re: Fist in Japan
Posted: 26 Feb 2014, 04:11
Snow and ice












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Scenes from the Trains of Japan: Pigeons, Gas Masks, and Sleeping, Oh the SleepingHungFist wrote:Haha. Though in all honestly, life is not all ninjas and maids in Japan either. Except maybe if you live in Akiba.
Speaking of which, I was in Tokyo the other weekend, on my way to Kamata to see Red Peony Gambler on 35mm, and at Akiba station a girl carrying a teddy bear bigger than herself enterted the train.
(sorry for pic quality, had to snap it tosatsu style)
They should have, but obviously they didn't. They wanted a young girl, though apparently they didn't quite realize exactly how young she was...Markgway wrote:Wouldn't the nightclub have checked her ID before employment?
She couldn't have looked 18, could she?





No, not yetTenchu1998 wrote:So... Have you attended a Kinbaku show, yet?![]()
Well, I'm Scandinavian too. I guess it comes down to how much you like high school girlsTenchu1998 wrote:I could never make it in Japan, myself. Being a Scandinavian, I need my egalitarian, modern social liberal society.
Thanks, I willTenchu1998 wrote:Well, keep updating! It's interesting to read about your experiences.


Of courseTenchu1998 wrote:So, can I ask you a couple of questions?
A notable amount (more than half I'm sure) of the movie theater revenues come from female customers. That includes both students and housewives who have tons of free time (and there's a lot of them... it's still common in Japan that women retire once they get married). Men go to movies when they have free time: weekends, or late shows. Working hours aren't quite as bad anymore as they used to be, so most people can probably catch a film after work.Tenchu1998 wrote:How do the Japanese watch movies? I mean... Given the insane number of movies getting released in Japan, it must mean people are still attending the cinemas quite so often, no? So, do people attend movies straight after work, or more on holidays, or what? I mean, when do they find time?
Cinema isn't doing all that well in Japan actually. Smaller theaters are closing down all the time. That being said, big multiplexes seem to be doing alright. The biggest hits are almost always trendy movies based on TV shows, anime, or manga, starring big idols, and often somewhat catered for feminine taste. It's become extremely commercial - and not all that great in artistic terms.Tenchu1998 wrote:Also: How important is Japanese cinema to the Japanese today? Is it as vital and alive as it was in the 1960's and 1970's, in terms of peoples' enthusiasm towards new movies?
Directors like Tsukamoto have difficulties finding audience for their films. I guess Kotoko did alright, but when I went to see Tetsuo 3 in cinema on the last day of the first screening week in Sapporo (2 million people) there were like 5 people in the audience. There was a retrospective on his older films and some screenings had 2 or 3 people in them.Tenchu1998 wrote:What do people think of the more "Indie" movies like, say, Tsukamoto's 'Kotoko'? Cocco-san is pretty big in Japan, isn't she? I always thought that having a popular lead, would at least draw some audiences to see the movie.
It's fiction of course, but the themes are accurate. Bullying is a major problem in Japanese schools and Japanese society in general. It's because of the collectivism. You need to be just like everyone else to be accepted in a group... and if you're not, it's the end of the world. Most Japanese people can't do anything by themselves - and many of them do acknowledge it but can't change it.Tenchu1998 wrote:How well does a movie such as 'Confessions' reflect modern Japanese society? I heard 'Confessions' was a pretty big hit in Japan - so, I wonder, how did people react to that movie?
MMA and kickboxing are merely a shadow of their former selves after Pride fell in Japan. During my exchange in Japan, I trained in the MMA club of my University and they didn't know a single female fighter. I would say Shinya Aoki was the best know current fighter but most of the people only know former pride legends like Kazushi Sakuraba. Sakuraba btw is a real household name who is know by pretty much everybody and after he retired Japanese combat sports were never the same. When I was talking about combat sports with casual people who don't follow it they knew about Pride (MMA) and K1 (Kickboxing) and a few of their stars, mainly foreigners like Mark Hunt and Wanderlei Silva.Tenchu1998 wrote:Umm, to switch the topic a little. I like watching Japanese female Shootboxing, and I am just curios if you have heard of it?
Do you know of Rena Kubota? Is she well-known in Japan?
At the moment fighting is a real fringe sport in Japan. There is no money in it and there are almost no pro trainers. The fighters train by their selves and acquire knowledge from other fighters. Traditional martial arts like Judo and Karate are ofc still big if you measure them by the amount of people practicing the sports but they aren't often televised and they too suffer from the lack of money and support for pro athletes.Tenchu1998 wrote:Do you know how big Shootboxing and MMA is in Japan? Would you ever attend a match, if you had the chance?
This clings sad, to me. I thought it'd be bigger in Japan, given the amount of fighters that they got over there - especially the female ones!Heka wrote: At the moment fighting is a real fringe sport in Japan. There is no money in it and there are almost no pro trainers. The fighters train by their selves and acquire knowledge from other fighters. Traditional martial arts like Judo and Karate are ofc still big if you measure them by the amount of people practicing the sports but they aren't often televised and they too suffer from the lack of money and support for pro athletes.
As for attending a match. My two biggest regrets in my Japan exchange are not attending a MMA/kickboxing event and not going to see Perfume live. I'm sure I'll go back someday to fix those "mistakes".
Yeah, of course I've seen Love Exposure. It's so popular, I think everybody have seen that movie. I know Sion Sono and his friend, whom the movie was partly based upon, went around and engaged in "the art" of Tosatsu. I remember seeing that interview, on the Japan Society YouTube channel, when Sono had a Q&A at the New York Asian Film Festival screening, and mentioned how they even got arrested for it at some point. Sono was very dedicated in his research back then, it seems. I think the movie is a funny take on that aspect of Japanese culture. Of course, in the movie, it is depicted in a really humoristic way - but, in principle, I personally can't understand the appeal of such a thing in real life. But, I think you touched upon it quite well, with your above post. I can relate to this, I guess - relate to that we are all different, and that sub-cultures and personal preferences alter us in various ways, depending on the dominant paradigm in a society.HungFist wrote:In Western countries you could be as weird as you wanted and no one would give damn, which is kinda counter-encouraging. Furthermore, Western countries don't have the kind of censorship that Japan still has. Japanese AV is still optically censored - and it used to be much more so for decades. When you can't show everything, you need to come up with other (and possibly very weird) ways to attract viewers. So, when Dirty Sven in Sweden is just watching his HC porn at home, the Japanese fella is lying in a gutter trying to catch a panty shot.
And you know what? I have some strage appreciation for the guy lying all day in the gutter. He's much more amusing and interesting than Dirty Sven![]()
(speaking of which, have you watched Love Exposure? If not, go and watch it. Then watch it again - twice!)