I just finished my Finnish language Anno double review, which rivals your Alien reviews in length... anyhow, it's interesting to compare Anno and Oshii, both being anime gone live action directors, both having worked on scifi and mecha genres, and both having a lot to say beneath the core. But I see these two guys really as the opposites.Shingster wrote:No not seem them yet, for many years they were hard to get hold of in subbed form and I never got round to purchasing the DVD boxset (obviously) but I do really look forward to them and have read all about them.
Ironically the Ghost in the Shell manga is extremely complex on a techno-theological level! Oshii's film is still "philosophical and clever" but made shallower by its mainstream action film trappings, but it contains the hallmark Oshii themes of dissociative identity and ethereal reality.HungFist wrote:I've come to realize Ghost in the Shell and Innocence aren't Oshii's most famous films because they're philosophical and clever. They're popular cause they're Oshii's easiest and intellectually least challenging films...
Oshii really is a the machine guy. His philosophy, even when about humans, is very machine-like. He's asking questions like why do we exist in this world, why do we act like we do? Very technical questions. Oshii's humans are almost like machines wondering who programmed them.
Anno is different, in a way, he really is that japanese school girl whose world is built around herself. His mind is 100% his own, he just can't quite understand why it's feeling what it's feeling. He's not sitting on the moon like Oshii, he's in a cave digged into his brain, and that cave is filled with psychedelic pop-music.
Not sure if that makes any sense, just a quick thought. Might bring it up when I review Talking Head (if it ever comes together) if I still feel it makes sense.
Oshii ------------------------------------------------------------ Anno
