Toei is back at the gangster game… with a film that opens with a close up of shit coming out of a pig's ass. The turd finds its way to a man's mouth, who is soon to be found dead, initiating a police investigation lead by take-no-shit detective Koji Yakusho. An ugly portrait of ugly business, as witnessed by idealistic rookie cop Tori Matsuzaka. Over-rated director Kazuya Shiraishi borrows heavily from Fukasaku, which only highlights this film’s relative shortcomings. Gone is the filmic look, gone are Toshiaki Tsushima's badass riffs, replaced by a nauseatingly dull modern soundtrack, and while Yakusho is good in his role, the cast just doesn't have the grit of the 70s Toei guys in films like Okinawa Yakuza War or Osaka Shock Tactics. These modern stars come out as great pretenders, which is what the whole film ultimately is.
Bullet Wound (弾痕) (Japan, 1969) [DVD] – 3.5/5
Interesting, bloody counter-espionage thriller set in 1969 Tokyo during violent, anti US student protests. Yuzo Kayama is an American-Japanese operative working for the US to uncover an arms deal between an American seller and Chinese communists, and to take out both parties. After almost getting assassinated himself, he takes a wounded civilian (Kiwako Taichi) with him despite living in a world where no one can be trusted. This is a loosely linked companion to Kayama’s other sniper / professional killer films Sun Above, Death Below (1968), The Creature Called Man (1970) and Target of Roses (1972), but with a more political approach. And there is no lack of nihilism, as proven by the unnecessarily long torture / interrogation scene. The film’s first half runs at leisure pace and ought to have been cut down, but the second half is tight, suspenseful and action packed. The era is captured well, and Kayama is great at channelling lonely tough guy vibes as a man with no true homeland, looked down upon by Americans and Japanese alike.
