Recent and not so recent Japanese dramas

China, Hong Kong, Japan, Korea, Thailand, etc
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HungFist
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Post by HungFist »

How to Become Myself (2007)

As far as subtle cinematic language goes Jun Ichikawa, when at his best, is probably the greatest director in Japan, maybe better than anyone else in the world. How to Become Myself is another beautiful film although not as powerful as some of the director’s earlier films. The wonderful title describes the content perfectly. Riko Narumi plays a 14 year old girl who during her last day of school has a conversation with another girl in her class (Atsuko Maeda). Two years later she accidentally finds out her email address and decides make friends with her, but without revealing her identity. She starts writing a story about Hina and Kotori, Kotori being a fantasized, ideal version of herself. Both girls take different roles in their real life and are affected by friends, parents and their own ideas of that they should be like. Some scenes in the film, the ever so slightly sentimential ending included, don’t work to the fullest. Still, films as poignant as this are few and far between. Acting is great throughout, with the lead star Riko Narumi giving a stunningly good performance. Quite a charming film.

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Rainbow Song (2006)

This one gained initial interest points by being based on Shunji Iwai’s scrip. Vaguely described it’s Hana and Alice with less humour, male lead, and the death of one character written into the story. The master’s magic is missing, there’s no going round that, but Nana plastic this is not. Naoto Kumazawa isn’t an exceptionally talented director, but he’s attempting the right thing most of the time. Major melodrama and sobbing is kept out, although there’s a couple of weaker moments like one part that plays out almost like a farce (story wise, not visually). The film is divided into chapters and often you can tell the quality of the following scenes from the sub-title; Stalker Days is not as good The Kodak Girl. The storyline follows two university students making a film. Juri Ueno, as a novice director, and Hayato Ichihara as her assistant / actor both fare well, but it’s Yu Aoi’s brief but enjoyable appearance that stands out. Bright and slightly washed out visual look supports the film.

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Caps from Edko's dvd-5.
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Post by HungFist »

I don't suppose anyone has seen Naoto Kumazawa's earlier film Letters from Kanai Nirai (ニライカナイからの手紙), starring Yu Aoi? It doesn't necessarily sound good (something about a girl who only knew her mother by letters...) but it does look somewhat good.

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- http://www.cinemacafe.net/movies/cgi/14569/#
- http://www.imdb.com/title/tt0471282/
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Post by HungFist »

Jun Ichikawa dies at 59

One of the few directors I still had faith in. Very sad.
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Post by Shingster »

Holy shit! One of my favourite filmmakers and was still at the top of his game at 59. That's no age for a Japanese fella to bow out!

R.I.P Ichikawa sensei. I think this my deserve itself a seperate thread, he was one of the major Japanese masters still active, until now of course. :(
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Post by HungFist »

Shingster wrote: I think this my deserve itself a seperate thread, he was one of the major Japanese masters still active, until now of course. :(
Go ahead if you want to. Maybe it will make more people interested in his films.
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Post by HungFist »

As I already mentioned in the other thread, Tokyo Sonata is very good. Now I finally have motivation to order Barren Illusion, too. And start waiting for R2J Sonata, probably coming sometime next year. I think I read UK's Masters of Cinema has picked this, too.
I always thought Kiyoshi Kurosawa might be able to pull out a great movie if he left the ghost out. That’s exactly what he does here. The director crafts a slightly satiric downfall drama that becomes increasingly humoristic, even absurd. It all begins when a white collar father loses his job, and is too embarrassed to tell the truth to his family. Some of the plot turns don’t even attempt to be believable, but Kurosawa evens the affair with restrained visual style and relatively slow pace. The soundtrack works quite well. After halfway, during Koji Yakusho’s comedic appearance, there’s a long continous take where Kurosawa’s skill really shows.
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Post by HungFist »

Schilling gives Hiroki's Kimo no tomodachi 4,5/5. Not that he's exactly a good reference, but it doesn't have a negative effect on how much I'm looking forward to this.

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Mizu no hana (2005)

Beautifully shot debut from Yusuke Kinoshita. The story is about a junior high school girl (Saki Terashima) who runs from home with her 6 year old half-sister (Himawari Ono). Some of the grounding for the story – drunken father, single mom who doesn’t have time for her daughter – doesn’t sound very delicate, but the director always keeps it very low key. There’s more silence than dialogue. Cinematography and soundtrack work well. Not quite as good as the atmospheric trailer, but Kinoshita definitely seems like a director to keep an eye on.

On the R2J dvd there the usual trailer and documentary (17 min), plus an amazingly good photo gallery (59 photos). Some examples after film captures.

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Post by HungFist »

UK's Third Window Films will be releasing Turtles are Surprisingly Fast Swimmers in February 2009. I've heard good things about this film and was actually considering a R2J (or R3K) purhase. But if the Brits manage a native PAL transfer (or should I throw all hope out of the window already?) maybe I'll get this one instead.

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LOVE MY LIFE (Japan, 2006)
Lesbian Coming-of-Age Romance in contemporary Tokyo by the director of "Girls Rebel Force of competitive Swimmers"?
I know how bad that must sound, but surprisingly it's not, because "Love my Life" is like a completely different movie from like a completely different director. No kinky fanservice around here, get your minds out of the gutter, but a surprisingly charming, honest and sometimes even romantic coming-out tale with good acting. Just be prepared for a lot of drama on the light side of things, not to say "shallow"; yes, it's true, there's not much of emotional depth to be found here; accompanied by an upbeat, catchy Indie Rock-Soundtrack "Love my Life" is all about overcoming obstacles instead of being hindered by them. Did I mention the actresses are really cute? There are some subtle erotic moments, too, but I didn't found them awkward or overly exploitive. In the end, ironically, it's that toned down approach on conflicts, the shallowness of it all, that turns out to be the real reason why "Love my Life" manages so well to evade seemingly impending clichéd situations, yet at the same time remaining mainstream enough to keep its charming appeal to both girls and boys, regardless of their sexual preferences.
Well, I guess that means I liked it. And, yes, they get naked.

- Trailer
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I'm currently having lots of fun with the live-action adaption of "Pretty Guardian Sailor Moon" for Japanese TV. It's pretty low-brow entertainment but still a pleasant way to kill at least a ton of braincells per episode (and there's 49 of them . . . episodes, not braincells, mind).

I guess I don't have to tell you that it's a pretty cheaply produced show with poor but always hyperbolic acting by a bunch of kawaii Idols. Add some soapy Highschool-drama and Schooluniforms so brightly coloured they seem like Cosplay-wear (and I'm not talking about their battle-wear). But what "Sailor Moon" actually is pretty good at is poking fun at awkward everyday-situations, like dating-adversities or cute misunderstandings; there are a bunch of truly hilarious events throughout. And of course Karaoke. Lots of it. Since all the girls also have a real-life popstar-background with major media-presence, the script doesn't shy back from throwing in some of the most ridiculous twists ever seen just for the sake of including another scene of a singing-performance into the storyline.

The action really shouldn't be called like that since it's merely more than a parade of cute girls doing backflips and awkward kicks missing their targets by more than two inch (but lets just pretend they didn't), with their short, high-flying mini-skirts revealing an inflationary share of accidental (but monumentally obtrusive) panty-shots as a side-effect, making you feel like a moderate pervert. There are some weird choices of locations as well: at one point they're fighting in a church, then they run through a door, and suddenly they're in a school's sports-coliseum with a rotating cross being projected on the walls. With at least one required full-length transformation sequence per episode, cheesy CGI and always resorting to a random super-power as a last-instance Deus ex Machina, the fight-scenes can hardly be described as original. The bad guys are quite boring, too, always standing around in a dark cave, laughing threateningly (if they're not playing Beethoven on the piano) while hatching absurd plans to conquer the world. By the way, my favorite Senshis are Keiko "Sailor Mars" Kitagawa and Ayaka Komatsu, a.k.a. "Sailor Venus." (No. 3 and 4 from the left in the above picture).

Now, if this doesn't sound like a lot of fun to you, you're probably right and I'm just another hopeless Otaku getting off on cheap thrills, as long as they're Japanese. On the other hand . . . no, you're right. I am really a hopeless case. :D

Before I forget, here's some Ayaka Komatsu for you:



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Post by gasteropod »

Nice! :D

And Hung, yeah I saw that on Third Window's site recently and that's on my wishlist too 8) they've got a few titles coming that look good actually, let's hope they've improved their DVD standards.
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Post by HungFist »

Yawarakai seikatsu (2005)

Ryuichi Hiroki has been one of the most interesting Japanese directors for years, although many of his films have been flawed. But he seems to be developing constantly. Vibrator was like a follow up to Tokyo gomi onna. Yawarakai seikatsu is a fully mature, superior version of Vibrator. Hiroki’s razor sharp eye (the cinematography) is still here, but now also soundtrack and characters are perfectly subtle. The film’s opening is so amazingly good that there’s a risk of the actual film not being able to live up to it, but it does, almost fully. Shinobu Terajima, who was already very good in Vibrator, gives an amazingly good performance in the lead role. Very few actresses dare to be this real in front of the camera.

R2J extras include Behind the scenes 1 (22 min), Behind the scenes 2 (2 min), Ryuichi Hiroki interview (5 min), Haruhiko Arai interview (4 min), Premiere (5 min), Press Conference 1 (5 min), Press Conference 2 (3 min), Festival Footage (2 min), biographies, trailer and tv spot. Artwork Cards (3) and a booklet (16 pages) are also included. But maybe the most positively surprising thing is the cover art itself (more about it later).

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The DVD cover may seem boring, but it’s actually just a paper sleeve on top...
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... revealing a real beauty underneath
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Post by diceman »

No subs for "Girl Sparks", that sucks. :?
Thankfully I've already watched it on a festival (best movie of 2008!), still I'm longing for a comprehensible release.

And please look out for Eiji Uchida's "Sisterhood". No DVD in sight yet, though, but it's absolutely great.
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Post by grim_tales »

Ayaka Komatsu is very pretty. Beauty :)
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Post by HungFist »

See trailer update

Master of Cinema gets the cover art right. I shall buy it.

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25 May 2009. BD also

Update: here's a UK trailer for Tokyo Sonata. Very good trailer that capture's film's essence (appart from the humour), uses the film's music, and unlike the Japanese trailer, doesn't spoil too much:

http://twitchfilm.net/site/view/uk-trai ... yo-sonata/
diceman wrote: And please look out for Eiji Uchida's "Sisterhood". No DVD in sight yet, though, but it's absolutely great.
2009/05/21
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Post by HungFist »

I don't know if anyone was looking forward to this but Happy Flight is coming to dvd and bd on 2009/05/22. These product descriptions and titles made me laugh. Standard Class Edition, Fist Class edition... and, "Frank Sinatra sings theme of the film".

http://www.cdjapan.co.jp/search.html?ty ... ppy+flight
http://www.happyflight.jp/index.html

Kodomo no kodomo 2009/05/26

http://www.cdjapan.co.jp/detailview.html?KEY=BCBJ-3397
http://www.amazon.co.jp/%E3%82%B3%E3%83%89%E3%...
http://search.japantimes.co.jp/cgi-bin/ ... 919a2.html

EDIT:
Kimi no yubisaki added to the Ishikawa thread:

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https://www.bulletsnbabesdvd.com/forums/ ... php?t=4908
Last edited by HungFist on 06 Mar 2009, 18:12, edited 1 time in total.
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Post by HungFist »

HungFist wrote:UK's Third Window Films will be releasing Turtles are Surprisingly Fast Swimmers in February 2009. I've heard good things about this film and was actually considering a R2J (or R3K) purhase. But if the Brits manage a native PAL transfer (or should I throw all hope out of the window already?) maybe I'll get this one instead.
NTSC to PAL, forget it
http://www.dvdtimes.co.uk/content/id/70 ... mmers.html
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Post by HungFist »

Finally cover art for Kimi no tomodachi at amazon

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TURTLES ARE SURPRISINGLY FAST SWIMMERS (Japan, 2005)
Suzume is a young housewife living an utterly boring and ordinary life, in fact it's that boring and ordinary that she's afraid of becoming invisible. Then one day she stumbles upon a hidden ad offering work as a spy. Curiously she calls . . . gets accepted and passes the test. Her first task: to act as ordinary and inconspicuously as possible.

Just saw it and really liked it. The movie lives from that certain kind of casual low-key humor only the Japanese do so well; "Turtles" won't make you laugh out loud, but you'll have a constant smile on your face and I certainly felt better afterwards. It's no satire either, no sexual innuendos or cynism either, just a pure, honest-to-god comedy with an always warm and upbeat atmosphere. There's a lot of talking about seemingly irrelevant things, but in an always amusing way and full of offbeat punchlines, and most of the stuff that's being inconspicuosly planted gets some sort of surprising pay-off later. Last but not least Juri Ueno is really cute and has an overwhelmingly charming personality, and that quirky voice-over of hers is fun as well. A couple of scenes have a strangely bizarre and surreal feel to it, though. Some of them serve as a kind of metaphor about stuff people think about, some of them represent reality in a slightly offbeat and stylized manner. Otherwise "Turtles" is great unflustered filmmaking, moves along fast and smoothly enough, and the credits start to roll long before you can even think about checking your watch.
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Post by grim_tales »

Does Kimi no tomodachi just mean Kimi's (?) friend?
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Post by HungFist »

grim_tales wrote:Does Kimi no tomodachi just mean Kimi's (?) friend?
The title means "Your friends".

Thanks Dice, need to see that.
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